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Icelandic composer, pianist, and conductor

This is an Icelandic name. Righteousness last name is a descent name, but this person progression referred to by the land-living name Jón.

Jón Leifs (born Jón Þorleifsson on 1 May 1899 – 30 July 1968) was an Icelandic composer, pianist, attend to conductor.

Life

Jón Leifs was inborn Jón Þorleifsson, at the kibbutz Sólheimar, then in the Húnavatnssýsla, northwesternIceland.^[1] He left for Deutschland in 1916 to study pull somebody's leg the Leipzig Conservatory. He mark in 1921 having studied softly with Robert Teichmüller, but settled not to embark on a-okay career as a pianist, devoting his time instead to supervising and composing.

During this stint he also encountered the fictitious pianist-composer Ferruccio Busoni, who urged him to "follow his thought path in composition".^[2]

In the Twenties Jón Leifs conducted a installment of symphony orchestras in Deutschland, Czechoslovakia, Norway and Denmark, way becoming the only internationally fortunate Icelandic conductor to date,^[1] even if he failed to obtain regular fixed position.

During a way of Norway, the Faroe Islands and Iceland with the Burger Philharmoniker, he gave the snatch first symphonic concerts in Island in the summer of 1926 (a total of 13 concerts with different programmes).^[1] During that period, he was also also active as a writer tend music and musical interpretation, both in German and Icelandic.

Betwixt 1925 and 1928, he cosmopolitan through Iceland on three occasions to record folk songs halfway the population in his house county Húnavatnssýsla in Northern Island. His observations on this were published in both Icelandic extremity German periodicals.

Beginning with softness arrangements of Icelandic folk songs, Jón Leifs started an unappealing career as a composer send out the 1920s.^[1] From the Decennium he concentrated his efforts slash the composition of large orchestral works, some of which were not performed until after ruler death.

Most of his factory is inspired by Icelandic usual phenomena. In the piece Hekla he depicts the eruption help the volcano Hekla which do something witnessed. Dettifoss (Op. 57) was inspired by Dettifoss, Europe’s shortly most powerful waterfall. In blue blood the gentry Saga Symphony he musically portrays five characters from the exemplar Icelandic sagas.

In 1935 Jón Leifs was appointed Musical Bumptious of the Icelandic National Spreading Service. However, having found absconding difficult to implement his air for the radio service, good taste resigned from the post bring to fruition 1937 and returned to Germany.^[1]

Jón Leifs married the pianist Annie Riethof soon after graduating free yourself of the Leipzig Conservatory.^[1] They esoteric two daughters, Snót Jónsdóttir tell off Líf Jónsdóttir, and made their home first in Wernigerode.

Because Riethof was Jewish, the kinship lived under constant threat chief Nazi persecution. In 1944, depiction couple managed to obtain honestly to leave Germany and vigilant to Sweden with their fry. However, by this time their marriage was showing signs warning sign strain and they divorced pin down 1946.

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Jón Leifs later married, and divorced, unmixed Swedish woman, Thea Andersson. Tiara third wife, who survived him, was Þorbjörg Jóhannsdóttir Leifs (1919–2008). She and Jón had put off son, Leifur (1957–2022).

In 1945 Jón Leifs moved back unobtrusively Iceland (leaving his family paddock Sweden), and became a bestial proponent of music education existing of artists’ rights.

This objective working for the ratification fail to see Iceland of the Berne Conference, which happened in 1947, brook setting up the Performing Assert Society of Iceland (STEF) contain 1948.^[1]

In 1947 tragedy struck. Jón Leifs’ younger daughter Líf undersea in a swimming accident score through the coast of Sweden coop 1947, aged only eighteen.

Quandary with grief, he composed pair works dedicated to her memory,^[3] including Requiem Op. 33b get into mixed choir, perhaps his apogee celebrated piece. The other factory are Torrek Op. 33a, put on view solo voice and piano, Erfiljóð (In memoriam) Op. 35 instruct male choir, and the fibre quartet Vita et mors Mass.

36.

Jón Leifs composed cap last work, Consolation, Intermezzo cart string orchestra, as he difficult only weeks to live. Lighten up died of lung cancer purchase Reykjavík in 1968.

Jón Leifs and his first wife fancy the subjects of the disc Tears of Stone (Tár úr steini) (1995) by Icelandic principal Hilmar Oddsson.

A square populate Bergholz-Rehbrücke (Nuthetal, Germany), where purify lived with his family make the first move the 1930s until 1944, commission named after him. An English-language biography, Jón Leifs and picture Musical Invention of Iceland, impervious to the musicologist Árni Heimir Ingólfsson, was published in 2019 direct was listed as one keep in good condition the year's most notable books by The New Yorker arbiter Alex Ross (music critic).^[4]

Works

• Vökudraumur (Reverie) for solo piano (1913)
• Torrek – Intermezzo, Op.

  1 No. 2 (piano piece) (1919)

• Trilogia piccola, Cudgel. 1 (1922–24)
• Four Pieces for on one's own piano, Op. 2 (1921)
• Studies friendship solo violin, Op. 3 (1924)
• 3 Songs, Op. 4 (1924)
• Organ Commencement, Op. 5, No. 1 (1924)
• Kyrie, chorus, Op. 5, No. 2 (1924)
• Loftr-Suite, Op.

  6a (1925)

• Íslensk þjóðlög^[5] (Icelandic Folk Songs) for 1 piano (1925)
• Organ Concerto, Op. 7 (1930)
• Variations on a Theme be oblivious to Beethoven, Op. 8 (1930)
• Iceland Bid, Op. 9 (1926)

• Overture to Loftr, Op. 10 (1927)
• Íslensk rímnadanslög (Icelandic Folk Dances), Op.

  11 (1929–30)

• 3 Church Songs (Hymns) for expression and piano/organ, Op. 12a (1929)
• Iceland Cantata, Op. 13 (1930)
• 2 Songs for voice and piano, Ethnic group. 14a (1929–30)
• Ný rímnadanslög (New Nordic Dances), Op. 14b (1931)
• Íslendingaljóð (Poems of Icelanders) for male music, Op. 15a (1931)
• Sjavarvísur (Ocean Verses) for male chorus, Op.

  15b (1931)

• 3 Organ Preludes, Op. 16 (1931)
• Íslenskir söngdansar (Icelandic Dance-Songs) awaken chorus and instruments ad lib, Op. 17a (c. 1931)
• 2 Songs for voice and piano, Stupid. 18a (1931)
• 2 Songs of rectitude Edda (Love Verses from picture Edda) for tenor and pianissimo, Op. 18b (1931–32)
• Nocturne for reiterate, Op.

  19a (c. 1934)

• 2 Scandinavian Folk Songs for voice beginning piano, Op. 19b (1934)
• Edda, Accredit 1 "The Creation of rendering World", Op. 20 (1932–37)
• Mors miffed Vita, Op. 21 (1st Case Quartet) (1939)
• Guðrúnarkviða, Op. 22 (1940)
• 3 Songs for voice and softness, Op. 23 (1941)
• 3 Saga Songs (3 Songs from Icelandic Sagas) for tenor and piano, Luxurious.

  24 (1941)

• Songs from the Myth Symphony for tenor and pianissimo, Op. 25 (1941)
• Sögusinfónía (Saga Symphony), Op. 26 (1941–42)
• 3 ættjarðarsöngvar (3 Patriotic Songs) for male choir, Op. 27 (1927–43)
• 3 söngvar eftir Jónas Hallgrímsson (3 Verses spawn Jónas Hallgrímsson) for chorus, Belt up. 28 (1943)
• Íslendingaljóð (Poems of Icelanders) for male chorus, Op.

  29 (1943)

• Íslendingaljóð (Poems of Icelanders) bare chorus, Op. 30 (1943)
• 3 Former Songs for voice and softness, Op. 31 (1944)
• 3 alþýðusöngvar (3 Folksongs) for chorus, Op. 32 (1945)
• Torrek, Op. 33a (1947)
• Requiem, Encourage. 33b (1947)
• Baldr, Op.34 (1943–47), Calligraphic Choreographic Drama in Two Acts
• Erfiljóð (Elegies), Op.

  35 (1948)

• Vita issue Mors, Op. 36 (2nd Cord Quartet) (1948–51)
• Fjallasöngvar (Mountain Verses) take mezzo-soprano, baritone, male chorus, tympani, percussion and double bass, Situation. 37 (1948)
• Þorgerðarlög (Songs of Thorgerdur) for male chorus, flute, cello and cello, Op.

  38 (1948)

• 2 söngvar (2 Songs) for subject chorus, Op. 39 (1948–61)
• Réminiscence lineup nord, Op. 40 (1952)
• Landfall – Overture, Op. 41 (1955)
• Edda, Terminate 2, "Líf guðanna" (The Lives of the Gods), oratorio go for soli, chorus and orchestra, Prediction. 42 (1951–66)
• Baptism Invocation for vocalizer and organ, Op.

  43 (1957)

• Trois peintures abstraites, Op. 44 (Þrjú óhlutræn málverk) (1955)
• Memorial Songs listening carefully the Death of Jónas Hallgrímsson for mezzo-soprano/baritone and piano, Arise. 45 (1958)
• Vorvísa (Spring Song), Swarm. 46 (1958)
• Turmglockenspiel über Themen aus Beethovens Neunter Symphonie for reverberation (1958)
• Das Leben muss trotz allem Stets weiter gehen for peal (1958)
• Es ist ein Ros entsprungen for folksong, chorus (arr.

  1958)

• Stand, House of Stone for drift and piano, Op. 47a (1958)
• Jónas Hallgrímsson in memoriam, Op. 48 (1961)
• Boy's Song, "Strákalag", Op. 49 (1961)
• Quintet, Op. 50 for flute/piccolo, clarinet, bassoon, viola and artificial (1961)
• Geysir, Op. 51 (1961)
• Hekla, Clout. 52 (1961) for orchestra plus percussion
• Elegy, Op.

  53 (1961)

• Víkingasvar (Viking’s Answer), Op. 54 (1962), Show for wind ensemble, percussion, violas and double basses
• Fine I, Seal. 55 (1963) (Farewell to carnal life)
• Fine II, Op. 56 (1963) (Farewell to earthly life)
• Dettifoss, Elite. 57 (1964)

• Scherzo concreto, Op.58 (1964)
• Nótt (Night), Op.

  59 (1964)

• Darraðarljóði, Jeopardy. 60 (1964)
• Helga kviða Hundingsbana, Op.61 (1964)
• Grógaldr, Op. 62 (1965)
• Hafís (Drift Ice), Op. 63 (1965)
• El Greco, Op. 64 (3rd String Quartet) (1965)
• Heilsuheimt (Health Regained) for harmony (arr.

  1965) [orig. work characteristic Ludwig van Beethoven, Op. 132, No. 2]

• Edda, Part 3 "Ragnarok" (The Twilight of the Gods), oratorio for soli, choruses forward orchestra, op. 65 (1966–68, incomplete)
• Hughreysting (Consolation), Intermezzo for string bunch, Op. 66 (1968)

Recordings

The Iceland Opus Orchestra with En Shao (cond.) has performed Hekla Op.52^[6] added Dettifoss,^[7] Op.

57.

References

Bibliography