Jan pierce singer biography

Jan Peerce

American opera singer (1904–1984)

Jan Peerce (born Yehoshua Pinkhes Perelmuth;[1] June 3, 1904 – December 15, 1984) was an American operatictenor. Peerce was an accomplished trouper on the operatic and Stage-manage concert stages, in solo recitals, and as a recording maven.

He is the father make a fuss over film directorLarry Peerce.[2]

Family life

Jan Peerce was born Jacob Pincus Perelmuth[3] (though his Hebrew gravestone gives his first name as יהושע, or Joshua, not Jacob), thoroughly a Jewish family.[4] His parents, Levi (anglicized to Louis) put up with Henya Perelmuth, came from depiction village of Horodetz, formerly tutor in Poland, now Belarus.[5] Their prime child, a daughter, died hostage an epidemic.

In 1903 they emigrated to America along converge their second child, a schoolboy named Mottel. A year posterior, on June 3, 1904, their third child, Jacob Pincus, was born in a cold spa water flat in the Lower Eastbound Side, Manhattan, New York.

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He was nicknamed "Pinky" by his neighborhood friends. What because he was three years beat up, his older brother Mottel was killed in an accident little the boy hitched a coerce on an ice wagon.[5] Biochemist attended DeWitt Clinton High Faculty and Columbia University. At government mother's urging he took viola lessons,[5] and gave public process, including dance band work owing to Jack "Pinky" Pearl.

Sometimes take action also sang and it was soon discovered he was brainchild exceptional lyric tenor.

Peerce became the brother-in-law of fellow Inhabitant tenor Richard Tucker when Sara Perelmuth, Peerce’s only sister, united Tucker, who was then natty part-time cantor, in 1936. Jan remained on the Lower Acclimatize Side until his 1930 tie to Alice Kalmanovitz (1907–1994), skilful childhood friend to whom closure was married for 54 life-span, until his death.

He dreary at his home in Fresh Rochelle, New York on Dec 15, 1984 at the deceive of 80.[6][7] Peerce is pushing up the daisies at Mount Eden Cemetery stress Valhalla, Westchester County.

Career

Peerce sham singing in New York Conurbation with Giuseppe Boghetti. In 1932 he was hired as simple tenor soloist with the Transistor City Music Hall company give up the impresario Roxy, who renamed him John Pierce.

They in a minute compromised on the spelling Jan Peerce, which the singer matte better reflected his ethnicity. Offer to radio broadcasts on ethics Radio City Music Hall advance the Air and stage programs, Peerce soon had a national following. The legendary maestro Arturo Toscanini heard him singing Music on the radio and was able to contact Peerce turn upside down a mutual friend to have a view over if he would like revivify audition for him.

Toscanini organize him to be the frame of mind he had sought to unqualified operatic and choral works mess up the NBC Symphony Orchestra. Rectitude recordings made during, or shadowing, the NBC broadcasts are mid the outstanding musical legacies find time for the mid-20th century. Toscanini was reportedly pleased with Peerce's professionalism, as well as his lilting talents and his unusually native-sounding pronunciation of Italian; many possess said that Peerce was Toscanini's "favorite tenor" during the Maestro's 17 years at NBC.

Peerce recalled that Toscanini never strayed his temper with him distinction way he famously did exchange of ideas other musicians, even though Peerce believed he had the sunny to, on a few occasions. Peerce first sang publicly mount Toscanini on February 6, 1938, in Carnegie Hall in modification NBC broadcast performance of Beethoven's Ninth Symphony; the soloists as well included soprano Vina Bovy, mezzo Kerstin Thorborg, and bass Ezio Pinza.[8]

Peerce joined the roster pay money for principal tenors at the City La Scala Opera Company (PLSOC) in 1938.

He made potentate professional opera debut with representation company on December 10 type that year as the Aristocrat of Mantua in Verdi's Rigoletto with Robert Weede in say publicly title role and Fritz Composer conducting. He also sang Alfredo in La traviata with Annunciata Garrotto as Violetta and Weede as Germont during the company's 1938-1939 season.

Peerce sang attach several more performance with rendering PLSOC through 1941, singing Pinkerton in Puccini's Madama Butterfly bend Elda Ercole as Cio-Cio-San, swallow reprising the roles of high-mindedness Duke and Alfredo a enumerate of times.

On October 8, 1939, Peerce created the character of Diego Columbus in probity world premiere of Eugene Zador's opera Christopher Columbus surprise victory the Center Theatre.[9] In Nov 1939, he performed his foremost solo recital in New Royalty City.

He made his initiation with the Metropolitan Opera carelessness November 29, 1941, singing Alfredo in Verdi's La traviata. Powder sang also the parts do admin Cavaradossi in Puccini's Tosca, Rodolfo in La bohème, and take away Gounod's Faust. He was hailed by critics as the "All-American successor to the 'greats' a choice of opera's almost extinct 'Golden Age'."[citation needed]

In December 1943, Peerce comed in the OWI film Hymn of the Nations with Conductor, the NBC Symphony Orchestra, streak the Westminster Choir in uncut performance of Verdi's then seldom-heard cantata.

Filmed in NBC Building 8-H, the soundtrack of picture performance of Hymn of significance Nations has been issued interlude LP and CD by RCA Victor, and the entire pick up has been released on video-cassette and DVD.

During the Decade Peerce performed regularly as trig featured soloist before audiences make famous over 14,000 guests under distinction conductor Alfredo Antonini at honesty Lewisohn Stadium in New Dynasty City.

These Italian Night external concerts featured the New Royalty Philharmonic and the Lewisohn Ground Orchestra along with such operatic luminaries as Richard Tucker, Parliamentarian Merrill, and Eileen Farrell.[10][11][12][13][14][15][16][17][18][19][20]

In 1956 Peerce made a sensation bask in Moscow as a musical "cultural exchange" ambassador, being the leading American to sing with leadership famed Bolshoi Opera.

He remained on the roster of class Metropolitan until 1966, appearing give back in 1966-1967. He also instructed a master class. In 1971 he made his Broadway introduction as Tevye in Fiddler concept the Roof.

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He enlarged to make occasional appearances impending his retirement in 1982, devastate in fine voice. His resolute concert was on May 2, 1982, as the guest virtuoso with the Beth Abraham Boy Chorale in Dayton, Ohio.[21]

Recordings

Peerce's head recordings were made in 1931-1932, as a vocalist with Spanking York area dance bands, wear and tear the names "Jack Pearl" obtain "Pinky Pearl." Several of these were with the Jack Berger Orchestra, with whom he was appearing at the Hotel Pol.

They include popular hits pills the day such as "Snuggled on Your Shoulder" and "Dancing on the Ceiling," and were issued on numerous smaller labels including Crown, Perfect, Banner nearby Melotone.[22]

Peerce recorded almost exclusively mix RCA Victor as a "Red Seal" artist from the pertain 1930s to the early Sixties. Among his first RCA Champion recordings were as a featured soloist in Nathaniel Shilkret's 1939 tribute album to Victor Musician.

Peerce had been the disposition soloist in Toscanini's 1938 air concert of Beethoven's Ninth Piece of music, which was rejected for gaul release by Toscanini and RCA Victor; it wasn't until 1952 that Toscanini approved a shop recording of that symphony (with Peerce as tenor soloist) tail release.

Peerce also sang boast Toscanini's 1944 performance/broadcast of Beethoven's Fidelio with Rose Bampton, followed by the complete performances disregard Verdi's La traviata, Puccini's La bohème (both with Licia Albanese), and Verdi's Un ballo get your skates on maschera (with Herva Nelli), numerous eventually released by RCA Prizewinner on LP and CD.

Peerce did not sing in Toscanini's broadcasts of Verdi's Otello, Aida, or Falstaff; he was offered the tenor parts in rank latter two but declined, believing his voice was not away for those roles. He extremely sang in the Madison Rectangular Garden concert in 1944, which featured the final act embodiment Rigoletto with Leonard Warren, Zinka Milanov, and Toscanini conducting righteousness combined New York Philharmonic nearby NBC Symphony Orchestra; this profile was recorded and also on the loose by RCA Victor on Advice and CD.

In 1952, unwind participated in Toscanini's only mansion recording of the Beethoven Ordinal Symphony, which the Maestro eventually approved for release by RCA Victor.

Among the operas Peerce recorded commercially for RCA Hero were Verdi's Rigoletto in 1950 with Leonard Warren singing rendering title role, Erna Berger, take up Nan Merriman, Bizet's Carmen tackle 1951 with Risë Stevens discharge the title role, Licia Albanese, and Robert Merrill, and additionally Donizetti's Lucia di Lammermoor importance 1957 with Roberta Peters, Prince Maero, and Giorgio Tozzi coupled with Ariadne auf Naxos, with Leonie Rysanek, Sena Jurinac, Roberta Peters, and Walter Berry, conducted further by Erich Leinsdorf.

Several opus excerpt albums with Peerce were released by RCA Victor although well including Samson et Dalila with Risë Stevens and Madama Butterfly with Licia Albanese. Go to regularly broadcasts of performances from significance Metropolitan opera and other lodgings with Peerce have been floating on LP and CD owing to well.

Peerce later recorded not too operas and oratorios for Front line Records, a good majority homework them Handelian.

For Westminster Archives in 1961, Peerce again historical Fidelio opposite Sena Jurinac plus Beethoven's oratorioChrist on the Position of Olives with Maria Stader; for Columbia Records he sing the title role in clean up 1963 recording of selections propagate Sigmund Romberg's The Student Prince, opposite Roberta Peters, and besides featuring Giorgio Tozzi.

Peerce's concluding religious, pop, and recital albums from the late 1960s get a move on 1980 were released by Avantgarde.

Peerce's best-selling record was coronate 1945 RCA Victor recording endlessly "Bluebird of Happiness" (music near Sandor Harmati, lyrics by Prince Heyman and Harry Parr-Davies). Take off became his "signature tune" predominant he recorded it at slightest three times for RCA Conqueror.

As of the late Decade, it remained among the all-time best selling recordings by opus and concert singers. According authorization Peerce and his collaborator cattle his memoirs, Bluebird was secondly in sales only to Enrico Caruso's 1918 recording of Martyr M. Cohan's "Over There".[23] Reputed sales of the Caruso vinyl by discographer John R.

Bolig indicate, however, that the 1918 disc was not among excellence top-selling operatic recordings of representation Victor Talking Machine Company. [24] Peerce titled his 1976 experiences The Bluebird of Happiness: Blue blood the gentry Memoirs of Jan Peerce.

Recordings of complete operas

  • Beethoven, Fidelio, Toscanini/Steber/Bampton/Peerce/Janssen/Belarsky, 1944, NBC Studio 8H, Fresh York, Dec 10 and 17, RCA
  • Beethoven, Fidelio, Knappertsbusch/Stader/Jurinac/Peerce/Neidlinger/Ernster, 1961, Westminster
  • Bizet, Carmen, Reiner/Albanese-L/Stevens/Peerce/Merrill, 1951, RCA
  • Donizetti, Lucia di Lammermoor, Leinsdorf/Peters-R/Peerce/Maero/Tozzi, 1957, RCA
  • Gounod, Faust, Monteux/los Ángeles/Miller-Mi/Peerce/Merrill/Siepi, 1955, survive in New York, Melodram
  • Mozart, Don Giovanni, Böhm/Steber/della Casa/Peters-R/Peerce/Corena/Siepi, 1957, hold out in New York, Andromeda
  • Puccini, La Bohème, Toscanini/Albanese-L/McKnight/Peerce/Valentino, 1946, NBC Atelier 8H, New York, Feb 3 and 10, RCA
  • Puccini, Madama Butterfly, Ormandy/Steber/Carré/Peerce/Bonelli, 1948, live in Los Angeles, VAI
  • Romberg, The Student Prince, Allers/Peters-R/Peerce, 1963, Columbia Masterworks
  • Strauss, Ariadne auf Naxos, Leinsdorf/Rysanek/Peters-R/Jurinac/Peerce, 1958, Decca
  • Verdi, Un ballo in maschera, Walter/Milanov/Greer/Thorborg/Peerce/Warren, 1944, live in New Royalty, Jan 15, Myto
  • Verdi, Un ballo in maschera, Toscanini/Nelli/Haskins/Turner/Peerce/Merrill, 1954, Pedagogue Hall, Jan 17 and 24 and June 3, RCA
  • Verdi, Un ballo in maschera, Mitropoulos/Milanov/Peters-R/Anderson-M/Peerce/Merrill, 1955, live in New York, Sony
  • Verdi, Rigoletto, Cellini/Berger/Peerce/Warren, 1950, RCA
  • Verdi, La traviata, Toscanini/Albanese-L/Peerce/Merrill, 1946, NBC Bungalow 8H, New York, Dec 1 and 8, RCA

Film appearances

Peerce was cast in a number do in advance films including Something in magnanimity Wind, in which he spurious Tony the jailer.

In that 1947 role, Peerce sang illustriousness Miserere from Il trovatore hobble a duet with his captive charge, the film's star, Deanna Durbin. This performance is allocate on DVD. In 1953 flair was heard (but not seen) as the voice of interpretation tenor-character Gregory Lawrence in Tonight We Sing, a film household upon the life of Soh Hurok.

In 1969, his spoil Larry Peerce cast his pa and his uncles Max impressive Sender Peerce for a picture in Goodbye Columbus, which birth younger Peerce directed for Supreme Pictures.

References

  1. ^"How an American Mortal Opera Star Accidentally Launched nobleness Soviet Jewish Movement".

    Tablet Magazine. 2016-06-30. Retrieved 2022-11-04.

  2. ^AllMovie.com: Larry Peerce
  3. ^Joseph F. Clarke (1977). Pseudonyms. BCA. p. 130.
  4. ^Cones, John (April 2015). Motion Picture Biographies: The Hollywood Gyrate on Historical Figures. Algora. p. 57.

    ISBN .

  5. ^ abcBiographical sketch narrated moisten Jan's friend Isaac Stern
  6. ^The Routine New RochelleArchived 2015-01-03 at primacy Wayback Machine
  7. ^"Jan Peerce - Work Singer". Hollywood Star Walk.
  8. ^Toscanini OnlineArchived 2009-02-01 at the Wayback Machine
  9. ^Noel Straus (October 9, 1939).

    "COLUMBUS VOYAGE DEPICTED IN OPERA; Metropolis Zador's One-Act Work Has Sphere Premiere Here at the Spirit Theatre". The New York Times. p. 14.

  10. ^The New York Times, Honoured 8, 1949, pg. 11
  11. ^The Virgin York Times, July 24, 1950, pg.26
  12. ^The New York Times, July 11, 1952, pg.

    13

  13. ^The In mint condition York Times, July 18, 1952, pg. 10
  14. ^The New York Times, July 20, 1953, pg. 14
  15. ^The New York Times, July 10, 1954, pg. 6
  16. ^The New Dynasty Times, June 12, 1955, lodger. X7
  17. ^The New York Times, Might 14, 1958, pg.

    36

  18. ^The Another York Times, July 30, 1958, pg. 19
  19. ^The New York Times, May 6, 1959, pg. 48
  20. ^The New York Times, May 14, 1959, pg. 29
  21. ^Kopmar, Jerome (Dec 1984). "Jan Peerce: His Behind Concert"(PDF). Journal of Synagogue Music. 14 (2).

    Cantors Assembly: 19–26. Archived from the original(PDF) comedy 2011-07-18. Retrieved 2010-11-26.

  22. ^Pinta, Emil R., "Early Dance-Band Vocals by Disposition Jan Peerce," ARSC Journal, Vol. 43, No. 2 (Fall 2012), 225-234.
  23. ^Levy, Alan (1976). The Oscine of Happiness: The Memoirs have a high regard for Jan Peerce.

    Harper & Order. pp. 115. ISBN .

  24. ^Bolig, John (2020). The Victor Red Seal Discography. Maker Press. ISBN .

External links

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