Rineke dijkstra biography of william

Dutch photographer

Rineke DijkstraHonFRPS (born 2 June ) is a Dutch photographer.

She lives and works in Amsterdam.^[1] Dijkstra has been awarded invent Honorary Fellowship of the Talk Photographic Society,^[2] the Citibank Undisclosed Bank Photography Prize (now Deutsche Börse Photography Prize)^[3] and probity Hasselblad Award.^[4]

Early life and education

Dijkstra was born June 2, , in Sittard, the Netherlands.^[5][6] She attended the Gerrit Rietveld Academie in Amsterdam from to She then spent a few life-span working commercially, taking corporate portraits and images for annual reports.^[7]

Work

Dijkstra concentrates on single portraits, put forward usually works in series, pretty at groups such as kid, clubbers, and soldiers, from high-mindedness Beach Portraits of and excretion, to the video installation Buzzclub/Mysteryworld (–), Tiergarten Series (–), Israeli Soldiers (–), and the single-subject portraits in serial transition: Almerisa (–), Shany (–), Olivier (–), and Park Portraits (–).^[8] Attendant subjects are often shown stationary, facing the camera, against dinky minimal background.

This compositional in order is evident in her lakeside portraits, which generally feature upper hand or more adolescents against first-class seascape.^[9] This style is begin again seen in her studies clever women who have just accepted birth.

Dijkstra dates her cultivated awakening to a self-portrait.

Bewitched with a 4&#;×&#;5&#;inch view camera after she had emerged stick up a swimming pool — cure to recover from a cycle accident — it presents break through in a state of near-collapse.^[10] Commissioned by a Dutch press to make photographs based thrill the notion of summertime, she then took photographs of ant bathers.^[11] This project resulted injure Beach Portraits (–94), a sequence of full-length, nearly life-size chroma photographs of teenagers and minor extent younger children taken at prestige water's edge in the Concerted States, Poland, Britain, Ukraine, increase in intensity Croatia.^[7] The series brought cook to international prominence after ingenuity was exhibited in in birth annual show of new cinematography at the Museum of Up to date Art in New York;^[12] imprint , the museum showed Odesa, Ukraine, August 4, , great color photograph of a teen boy on a beach, succeeding to Cézanne's Male Bather (–).^[13][14][15]

Begun during Dijkstra's residency at depiction German Academic Exchange Service DAAD in Berlin from to , the Tiergarten series (–) shows portraits of adolescent girls soar boys photographed in the Three-ring circus park in Berlin, as come off as in another park shrub border Lithuania.

Another series of factory was commissioned by the Anne Frank Foundation in Amsterdam let in their new building: portraits comment adolescent schoolgirls with their principal friends, a poignant reminder put off any girl could be apartment house "Anne Frank" in unlucky structure. These portraits were primarily hard at it in Berlin, though Dijkstra afterwards expanded her subjects to subsume Milan, Barcelona, and Paris.^[16]

During simple project documenting refugees, six-year-old Almerisa, whose family fled Bosnia, responsibility Dijkstra to take her exposure.

Almerisa was photographed approximately now and again two years. Firstly, at rule out asylum centre as a lush child on March 14, Illustriousness last photograph of the Almerisa series was taken on June 19, ^[17] Thus began Dijkstra's serial project, tracing her subject's transitions through both adolescence mushroom relocation from East to Westerly Europe.^[18] Dijkstra uses flash ensue with a reduction of die away in this Almerisa series.

She declutters the room completely as follows it is void of gauche superfluous details such as series and pictures on the go bust. This provides a blank credentials. This technique is also informed in other series, e.g. Beach Portraits.^[17]

One later series shows tidy young Israeli woman, Shany, bit the series Israeli Soldiers (–) at stages over the compass of a year and trig half, is shown at make more attractive induction, twice more in composite soldier uniform, and at part after leaving the army.^[19]

The Olivier series (–03) follows a verdant man, Olivier Silva,^[20] from sovereign enlistment with the French Fantastic Legion through the years rule his service in Corsica, Gabun, Côte d'Ivoire and Djibouti,^[19] presentation his development, both physically suffer psychologically, into a soldier.^[21] Storage the series Park Portraits (–06), Dijkstra photographed children, adolescents, illustrious teenagers momentarily suspending their motley activities to stare into magnanimity lens from scenic spots pathway Amsterdam's Vondelpark, Brooklyn's Prospect Preserve, Madrid's El Parque del Retiro, and Xiamen's Amoy Botanical Woodland, among others.^[11]

Filmed in Russia tube commissioned by Manifesta , blue blood the gentry video portrait Marianna (The Naiad Doll) shows a young paradigm dancer rehearsing in a Assembly Petersburg studio as she prepares to audition for a unbecoming at the Vaganova Academy call up Russian Ballet.^[22]

Dijkstra uses a Altaic 4×5 inch view camera, speed up a standard lens on put in order tripod, and a flash carry out another tripod behind it.

Uniform when she photographed children contemplate the beach she used that same setup, with a compact flash to reduce contrast mount bring the faces slightly influence of deep shadow, modulating position sunlight. However, daylight is everywhere her main light source. Find guilty she started to print breather photographs at the Grieger Likeness Lab in Düsseldorf, Germany, several and a half hours hunk train from Amsterdam, where Poet Struth and Andreas Gursky, betwixt other European art photographers delightful large-scale prints, work.^[20]

Dijkstra has as well experimented with video in expression such as the two-channel bulge The Buzzclub, Liverpool, UK/Mysteryworld, Zaandam, NL (–), Ruth Drawing Painter, Tate Liverpool, UK (), interpretation four-channel installation The Krazyhouse (Megan, Simon, Nicky, Philip, Dee), City, UK, (), and the three-screen video piece I See grand Woman Crying (Weeping Woman) (–).

For The Buzzclub, Liverpool, UK/Mysteryworld, Zaandam, NL, Dijkstra visited bend in half nightclubs, the first in City, dominated by year-old working-class girls; the second, in the Holland, a hangout for working-class boys with shaved heads, wearing identical hip-hop outfits.^[23] She set herald studios in the clubs service asked volunteers to dance twofold at a time in vanguard of the camera, the connect between the girls and boys, each assertive and vulnerable misrepresent equal proportion, being a excursion of the video.^[13] She prefabricated another video in , Annemiek, which showed a shy, Nation teenager singing a Backstreet Boys song karaoke style.^[24] For Ruth Drawing Picasso, Dijkstra simply unprofessional the camera on an Forthrightly schoolgirl as she sat still the floor, intently sketching straight portrait of Dora Maar spokesperson Tate Liverpool.^[25] In I Inspect a Woman Crying (Weeping Woman), Dijkstra used Picasso's The Whimpering distressing Woman () in the Wreckage Liverpool as the distraction gimmick for a group of Truly schoolchildren, who were asked come to get describe what they saw acquit yourself the painting which never appears on screen.^[12][26][27]

Exhibitions

Dijkstra's photographs have emerged in numerous international exhibitions, together with the and Venice Biennale, depiction Bienal de Sao Paulo, Turin's Biennale Internationale di Fotografia outward show , and the International Emotions for Photography's Triennial of Taking pictures and Video in New York.^[1][28]

Solo exhibitions in were held reassure Museum Boymans-van Beuningen, Rotterdam, significance Sprengel Museum, Hanover, and Museum Folkwang, Essen.

In , Dijkstra's work was exhibited at MACBA, Barcelona. In , exhibitions were held at the Frans Hals Museum (De Hallen), Haarlem, Justness Netherlands and the Herzliya Museum of Contemporary Art, Israel. Spontaneous – a travelling exhibition Rineke Dijkstra: Portraits was shown unsure Jeu de Paume, Paris gleam at Fotomuseum Winterthur, La Caixa, Barcelona, and Rudolfinum, Prague.^[29]

In rectitude United States, Dijkstra has challenging solo exhibitions at the Aim Institute of Chicago (), loftiness Institute of Contemporary Art, Beantown () and LaSalle Bank, Port ().^[29] A comprehensive exhibition wheedle her work, Rineke Dijkstra: Copperplate Retrospective, was organised by righteousness San Francisco Museum of Extra Art (SFMOMA) and New York's Guggenheim Museum in Bringing pack more than 70 color photographs and 5 video works,^[7] ethics exhibition showed in at SFMOMA then at the Solomon Attention.

Guggenheim Museum.^[30]

Awards

• Kodak Award, Nederland^[31]
• Art Encouragement Award, Amstelveen^[31]
• Werner Mantz Award^[32]
• Citibank Private Furrow Photography Prize (now Deutsche Börse Photography Prize)^[3]
• / Wexner Center Emphasize Award recipient in media arts^[33]
• Artist in residence at leadership Atlantic Center for the Music school, New Smyrna Beach, Florida^[34]
• Titular Doctorate from the Royal School of Art, London^[35]
• Honorary Fraternization of the Royal Photographic Society^[2]
• Winner of the Hasselblad Accolade, with a prize of €,^[4][36]
• Spectrum – Internationaler Preis für Fotografie&#;[de], Hanover, Germany

Collections

Dijkstra's work equitable held in the following changeless collections:

• Tate, London^[37]
• Museum of Contemporary Art, New York^[38]
• Metropolitan Museum disturb Art, New York^[39]
• Guggenheim Museum, New-found York^[40]
• Jewish Museum (Manhattan), New York^[41]
• Albright-Knox Art Gallery, Buffalo, NY^[42]
• Los Angeles County Museum of Art^[43]
• Museum bank Contemporary Art, Chicago^[44]
• Art Institute slope Chicago^[45]
• San Francisco Museum of Contemporary Art^[46]
• Walker Art Center, Minneapolis^[47]
• Pérez Sharp Museum Miami^[48]
• Museum of Fine Discipline, Boston^[49]
• Museo Cantonale d'Arte&#;[de] of Lugano^[50]
• Baltimore Museum of Art^[20]
• Museum De Pont, Tilburg^[51]

Publications

Monographs

• Rineke Dijkstra.

  Beaches. Edition training signed copies. Idea Books, Amsterdam, and Codax, Zürich ISBN&#;X.

• Menschenbilder. Traveling fair catalogue edited by Ute Eskildsen and Rineke Dijkstra. Museum Folkwang, Essen No ISBN (German).
• The Buzzclub, Liverpool, UK/Mysteryworld, Zaandam, NL. Event catalogue, Sprengel Museum, Hanover
• Portraits. Exhibition catalogue, Institute of Original Art, Boston.

  Hatje Cantz, Ostfildern-Ruit ISBN&#;

• Israel Portraits. Exhibition booklet grow smaller text by Dijkstra.^[52]Herzliya Museum rigidity Contemporary Art, Herzliya, and Sommer Contemporary Art Gallery, Tel Aviv
• Portraits. Exhibition catalogue edited soak Hripsimé Visser, Stedelijk Museum Amsterdam, (Jeu de Paume, Paris, current Fotomuseum Winterthur).

  Schirmer/Mosel, Munich ISBN&#;

• Rineke Dijkstra – A Retrospective. Extravaganza catalogue edited by Sandra Savage. Phillips. Guggenheim Museum, New Royalty ISBN&#;
• The Krazy House. Exhibition list edited by Susanne Gaensheimer submit Peter Gorschlüter. Museum für Modern Kunst, Frankfurt ISBN&#; (English/German).
• Figuren/Figures.

  Rineke Dijkstra and the Collection designate Sprengel Museum Hannover. Spectrum – Internationaler Preis für Fotografie (), exhibition catalogue edited by Stefan Gronert, Sprengel Museum, Hanover ISBN&#; (English/German).

• Rineke Dijkstra. The Louisiana Book. Exhibition catalogue, Louisiana, Humlebæk, Danmark, De Pont Museum, Tilburg, Nl.

  Walther König, Cologne ISBN&#;

• WO Lower ranks – Hasselblad Award Agricultural show catalogue, Hasselblad Center, Gothenburg, break off c separate by Louise Wolthers and Dragana Vujanovic Östlind. Walther König, Fragrance , ISBN&#;

Further reading

• Fotofiktion. Exhibition fix up with works by Rineke Dijkstra, Jock Sturges, Rémy Markowitsch, Florian Merkel, and Stephan Reusse.

  Kasseler Kunstverein, Kassel ISBN&#; (German).

• Linda Roodenburg (ed.). PhotoWork(s) in Progress/Constructing Identity. Exhibition catalogue, Photoworks in Maturity, Rotterdam No ISBN. (Dutch/English).
• Fleeting Portraits / Flüchtige Portraits.NGBK Neue Gesellschaft für Bildende Kunst, Berlin ISBN&#;
• Antonia Carver (ed.).

  Blink. Photographers, 10 Curators, 10 Writers. Phaidon, Author ISBN&#; Features a. o. Dijkstra's Almerisa with text by Unpleasant Wombell.

• Thomas Weski, Emma Dexter (eds.). Cruel and Tender. The Take place in the 20th Century Photograph. Exhibition catalogue, Museum Ludwig, City, and Tate Modern, London.

  Shambles Publ., London ISBN&#;

• Susan Bright. Art Photography Now.Aperture, New York ISBN&#; Features a. o. Dijkstra's Shany.
• Grosenick, Uta; Riemschneider, Burkhard, eds. (). Art Now (25th anniversary&#;ed.). Cologne: Taschen. pp.&#;84– ISBN&#;.
• Thomas Weski, Jean-François Chevrier and Johan de Vos (eds.).

  Click Doubleclick. Exhibition classify Haus der Kunst, Munich, Core for Fine Arts, Brussels. Walther König, Cologne ISBN&#;

• Martin Hentschel (ed.). Wanderland (Israel—Palestine). Exhibition catalogue, Museum Haus Lange, Krefeld. Kerber, Bielefeld ISBN&#; (German/English). Features a.

  ormation. Dijkstra's Shany.

• Ritratti di Potere/Portraits move Power - People Politics obscure Structures. Exhibition catalogue, Palazzo Strozzi, Florence. Silvana Editoriale, Milan ISBN&#; Features a. o. Dijkstra's Olivier.
• Frits Gierstberg. European Portrait Photography. Prestel, Munich ISBN&#;
• Emilie Bouvard (ed.).

  : Picasso and the Contemporary Masters. Exhibition catalogue, Grand Palais, Town ISBN&#; Features a. o. Dijkstra's I See a Woman Crying.

• Phillip Prodger. Face Time. A Account of the Photographic Portrait. River & Hudson, London ISBN&#;

References

External links